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Creative Documentaries Based On Archives
By Béatrice De Pastre

Béatrice De Pastre, head of the  Archive Department and Cinematic Heritage in the National Cinematographic and animated image Centre (CNC) has run a number of workshops hosted by Dahshur Workshops:

  • Creating with Archives , 1st-6th November 2017
  • Creative Documentaries Based On Archives, 18th-23rd April 2016

Both of the these  workshops explored how participants could select and merge archival material, video, audio or visual, in order to enrich the narrative elements of their feature documentary or fiction project, while also maintaining a structured and coherent rendering. Concerns regarding copyrights were also addressed. The workshop focused on the utilisation of old footage (film archives, amateur films or photography) and how participants can find ways to recycle this footage and use it in new works.

Re-using Images from the Past: Adding Sound to Silent Films, 7th-9th October 2017

This three-day workshop took place at Dahshur Workshops’ office headquarters in downtown Cairo. The workshop gave participants the opportunity to explore and examine images, composition, and the relationship between sound and image. Participants explored a variety of subjects and exercises including listening exercises, analysing silent short films, montage, recording sound, adding sound to image and preparing soundtracks.

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    Critique De Cinema

    By Jean-Michel Frodon
    Creative Documentaries Based On Archives

    Step into the world of cinematic expertise with the Jean-Michel Frodon Workshop, a unique experience that brought together filmmakers, critics, and enthusiasts to explore the art of storytelling through cinema. Led by the renowned film critic and historian Jean-Michel Frodon, this workshop offered participants insights into the evolution of global cinema, its societal impact, and the intricate techniques of film criticism. From thought-provoking discussions to hands-on sessions, attendees left with a deeper appreciation for the power of film as an art form.

    Workshop Date:
    Sep 19-23, 2016 & Sep 22-26, 2017

    Step into the world of cinematic expertise with the Jean-Michel Frodon Workshop, a unique experience that brought together filmmakers, critics, and enthusiasts to explore the art of storytelling through cinema. Led by the renowned film critic and historian Jean-Michel Frodon, this workshop offered participants insights into the evolution of global cinema, its societal impact, and the intricate techniques of film criticism. From thought-provoking discussions to hands-on sessions, attendees left with a deeper appreciation for the power of film as an art form.

    This exclusive workshop, led by the esteemed film critic and historian Jean-Michel Frodon, brought together filmmakers, critics, and cinephiles for an immersive journey into the heart of cinema. The program focused on the evolution of film as a medium, emphasizing its role in shaping cultural narratives and societal perceptions.

    Exploring Global Cinema

    Participants analyzed classic and contemporary films from around the world, delving into themes of identity, conflict, and artistry.
    Mastering Film Criticism: Interactive sessions allowed attendees to learn the art of film critique, developing skills to evaluate cinematography, narrative structure, and thematic depth.

    Roundtable Discussions

    Engaging dialogues with Jean-Michel Frodon offered insights into the relationship between cinema and society, emphasizing its role in sparking change.

    Creative Exercises

    Practical workshops enabled participants to refine their storytelling techniques and cinematic interpretations.

    The workshop was a beacon for aspiring filmmakers and seasoned professionals seeking to deepen their understanding of cinema’s transformative power.

    Exploring Global Cinema

    Participants analyzed classic and contemporary films from around the world, delving into themes of identity, conflict, and artistry.
    Mastering Film Criticism: Interactive sessions allowed attendees to learn the art of film critique, developing skills to evaluate cinematography, narrative structure, and thematic depth.

    Roundtable Discussions

    Engaging dialogues with Jean-Michel Frodon offered insights into the relationship between cinema and society, emphasizing its role in sparking change.

    Creative Exercises

    Practical workshops enabled participants to refine their storytelling techniques and cinematic interpretations.

    The workshop was a beacon for aspiring filmmakers and seasoned professionals seeking to deepen their understanding of cinema’s transformative power.

    Mentors:

    Dina Emam 

    Muhammad Taymour

    SELECTED PROJECTS

    Amr ElSeyoufi -The Deer That Ran Away  

    Yasser Shafiey -Complaint NO. 713317  

    Mavie Maher -Fragile 

    Jennifer Peterson -Beyond the Farthest Tree

    Ahmed Dahroug -Yasmine in Love 

    Marwan Imam -The Feast  

    Amr Wishahy -On the Road 

    Fady Elkholy and Mohamed Bakr Labib  

    Abanoub Youssef -Outside of Pelicans Lake  

    Sherif Fathy -Where from we Tell the Story 

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    Maggie Soboil’s 3D Screenwriting workshop was an intensive program that focused on developing rich, believable characters. Through a series of exercises and techniques, participants discovered keys to creating three-dimensional characters for more authentic and compelling screenplays. The workshops were limited in number to give each participant time to work on their material.

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