3D Screenwriting Workshop Writing With The Actor In Mind

Maggie Soboil’s 3D Screenwriting workshop was an intensive program that focused on developing rich, believable characters. Through a series of exercises and techniques, participants discovered keys to creating three-dimensional characters for more authentic and compelling screenplays. The workshops were limited in number to give each participant time to work on their material.

Soboil, a seasoned screenwriter and teacher, developed her unique approach to screenwriting after working with hundreds of screenwriters from around the world. She noticed that while many writers had a good grasp of form and structure, they struggled to create characters with depth and motivation. To address this challenge, Soboil designed her workshop to help writers experience their scripts from an actor’s perspective, breaking down the text to explore the motivations and behaviors of their characters. According to Soboil, this approach allows writers to start asking themselves questions they may not have considered before, leading to a deeper understanding of their characters’ internal truths. This process helps writers create roles that are not only well-defined but also feel real and breathing, making them appealing to actors.

Soboil believed that this technique could be applied to any genre of writing, whether it’s character-driven stories, fantasy, film noir, horror, or otherwise. By focusing on the internal logic and truth of their characters, writers can develop a distinct voice and style that sets their work apart. Overall, Soboil’s 3D Screenwriting workshop aimed to equip writers with the skills necessary to craft rich, nuanced characters that would captivate audiences and bring their stories to life.

From September 21st to 27th, a group of writers participated in a 3D Screenwriting workshop led by Maggie Soboil. The workshop began with breakfast at 8 am, followed by a group session with Maggie from 9 am to 12 pm, where each writer summarized their project, discussed their intentions, thematic pitch, and characters. This was followed by lunch from 12 pm to 1:30 pm, and then individual meetings with Maggie from 1:30 pm to 2 pm, 2 pm to 4 pm, and 4:15 pm to 5:45 pm. Day 1 concluded with dinner from 6 pm to 7:30 pm.

The remaining days of the workshop (September 22nd to 27th) followed a similar pattern, with breakfast at 8 am, group sessions with Maggie from 9 am to 12 pm, lunch from 12 pm to 1:30 pm, and individual meetings with Maggie in the afternoons. During these sessions, the writers worked on their respective scenes with fellow writers and actors, received rewriting tasks, and observed each other’s work. The workshop culminated in a presentation of new scenes and a summation on the final day, September 27th, followed by departure at 6 pm.

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